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Thursday, July 19, 2007
Direct X10 Notebooks ahoy!!
Mike Messiah's 2007 Mid-Year "Movie Round Up"
Having witnessed a slew of crappy sequels(like Spidey 3 and Pirates of Caribbeans AWE ) a movie lover would surely reminiscent the blockbusters of yesteryears.However, all is not lost. Till July this year,Hollywood has come up with some nice slew of must watch movies.They dont boast hollywood's famous or come with huge budget slapped across their faces, but they sure beats the crap out of hollywood's biggest
So here are some of the finest movies released in the past six months
So here are some of the finest movies released in the past six months
Knocked Up
Knocked Up is a hilarious, poignant and refreshing look at the rigors of courtship and child-rearing, with a sometimes raunchy, always witty script that is ably acted and directed
Katherine Heigl (GREY'S ANATOMY) and Seth Rogan star in this hilarious and touching comedy as two mismatched people brought together by a one-night-stand that results in an accidental pregnancy.
Using many of the same actors from his previous film, THE 40-YEAR OLD VIRGIN, and his cult television series' UNDECLARED and FREAKS AND GEEKS, director Judd Apatow once again finds fresh humor in relationships and sex. Young, bright, and talented, Alison (Heigl) has everything going for her. After being promoted to an on-camera role at E! Television, Alison goes out to celebrate with her older sister, Debbie (Leslie Mann).
Not long into the evening Debbie is called home to her kids, leaving Alison in the eager company of charming slacker Ben (Rogen). In the dark of the nightclub and in the ensuing drunk hours, Ben seems like a great guy. But in the sober light of day, Alison quickly discovers the man in her bed is nothing more than an overgrown child with no job, no money, and the social habits of a teenager. Brushing him off politely as a one-time affair, Alison goes on with her life, until two months later she realizes that the unthinkable has happened.
Pixar succeeds again with Ratatouille, a stunningly animated film with fast pacing, memorable characters, and overall good humor.
A rat named Remy (Patton Oswalt) lives in Paris with a dream (and the talent) to be a chef. Opting to raid the kitchens of Paris rather than the garbage cans and sewers of the city with his family, Remy is inspired by the philosophy of one of the city’s most legendary chefs, the late Gusteau (Brad Garrett). One night, Remy can’t resist practicing his skill in Gusteau’s restaurant. While his guard is down, Remy is discovered by a klutzy young man, Linguini (Lou Romano), who cleans the kitchen. Together Remi and Linguini become a culinary duo, with Remy playing puppeteer by concealing himself under Linguini’s chef’s hat. Remy pulls Linguini's hair to direct his hands, helping to bring Remy’s creations to life.
Soon Gusteau’s restaurant becomes the talk of the town--but would it still be the toast of Paris if everyone knew a rat was running the show?
Katherine Heigl (GREY'S ANATOMY) and Seth Rogan star in this hilarious and touching comedy as two mismatched people brought together by a one-night-stand that results in an accidental pregnancy.
Using many of the same actors from his previous film, THE 40-YEAR OLD VIRGIN, and his cult television series' UNDECLARED and FREAKS AND GEEKS, director Judd Apatow once again finds fresh humor in relationships and sex. Young, bright, and talented, Alison (Heigl) has everything going for her. After being promoted to an on-camera role at E! Television, Alison goes out to celebrate with her older sister, Debbie (Leslie Mann).
Not long into the evening Debbie is called home to her kids, leaving Alison in the eager company of charming slacker Ben (Rogen). In the dark of the nightclub and in the ensuing drunk hours, Ben seems like a great guy. But in the sober light of day, Alison quickly discovers the man in her bed is nothing more than an overgrown child with no job, no money, and the social habits of a teenager. Brushing him off politely as a one-time affair, Alison goes on with her life, until two months later she realizes that the unthinkable has happened.
Ratatouille
A rat named Remy (Patton Oswalt) lives in Paris with a dream (and the talent) to be a chef. Opting to raid the kitchens of Paris rather than the garbage cans and sewers of the city with his family, Remy is inspired by the philosophy of one of the city’s most legendary chefs, the late Gusteau (Brad Garrett). One night, Remy can’t resist practicing his skill in Gusteau’s restaurant. While his guard is down, Remy is discovered by a klutzy young man, Linguini (Lou Romano), who cleans the kitchen. Together Remi and Linguini become a culinary duo, with Remy playing puppeteer by concealing himself under Linguini’s chef’s hat. Remy pulls Linguini's hair to direct his hands, helping to bring Remy’s creations to life.
Soon Gusteau’s restaurant becomes the talk of the town--but would it still be the toast of Paris if everyone knew a rat was running the show?
Sicko
Driven by Michael Moore’s sincere humanism, Sicko is a devastating, convincing, and very entertaining documentary about the state of America’s health care.
America's most incendiary filmmaker, Michael Moore, returned in 2007 with this health-care-industry exposé. SICKO tackles material as controversial as the topics explored in Moore's other films, yet does so in a way that places the focus on ordinary Americans affected by the nation's health-care crisis. After providing some historical background on how our nation's medical care system became so ravaged and unfair, Moore interviews a series of individuals and families who have had their lives all but destroyed by the denial of care in the service of profit.
While there are two sides to the gun-control debate and even a legitimate discourse for how to best wage the war on terror, it's simply impossible to justify how a baby girl can wind up dead because her mother's health insurance wasn't accepted at a nearby hospital. Moore smartly allows this and other stories to be told with little or no interference, conjuring strong feelings of empathy, rage, and deep sadness.
America's most incendiary filmmaker, Michael Moore, returned in 2007 with this health-care-industry exposé. SICKO tackles material as controversial as the topics explored in Moore's other films, yet does so in a way that places the focus on ordinary Americans affected by the nation's health-care crisis. After providing some historical background on how our nation's medical care system became so ravaged and unfair, Moore interviews a series of individuals and families who have had their lives all but destroyed by the denial of care in the service of profit.
While there are two sides to the gun-control debate and even a legitimate discourse for how to best wage the war on terror, it's simply impossible to justify how a baby girl can wind up dead because her mother's health insurance wasn't accepted at a nearby hospital. Moore smartly allows this and other stories to be told with little or no interference, conjuring strong feelings of empathy, rage, and deep sadness.
The Host
The Host combines scares, laughs, satire, and social dynamics into a riveting, poignant piece of film making.
The talk of the 2006 Cannes International Film Festival, THE HOST, the latest film from critically acclaimed visionary director BONG Joon-ho, has already garnered a substantial amount of international buzz. Utilizing state-of-the-art special effects courtesy of a creative partnership between Weta Workshop (King Kong, The Lord of the Rings) and The Orphanage (Harry Potter and the Goblet of Fire, Sin City), THE HOST is equal parts creature-feature thrill ride and poignant human drama.
Gang-du (SONG Kang-ho) works at a food-stand on the banks of the Han River. Dozing on the job, he is awakened by his daughter, Hyun-seo ( KO A-sung), who is angry with him for missing a teacher-parent meeting at school. As Gang-du walks out to the riverbank with a delivery, he notices that a large crowd of people has gathered, taking pictures and talking about something hanging from the Han River Bridge. The otherwise idyllic landscape turns suddenly to bedlam when a terrifying creature climbs up onto the riverbank and begins to crush and eat people. Gang-du and his daughter run for their lives but suddenly the thing grabs Hyun-seo and disappears back into the river. The government announces that the thing apparently is the Host of an unidentified virus. Having feared the worst, Gang-du receives a phone call from his daughter who is frightened, but very much alive. Gang-du makes plans to infiltrate the forbidden zone near the Han River to rescue his daughter from the clutches of the horrifying Host..
The talk of the 2006 Cannes International Film Festival, THE HOST, the latest film from critically acclaimed visionary director BONG Joon-ho, has already garnered a substantial amount of international buzz. Utilizing state-of-the-art special effects courtesy of a creative partnership between Weta Workshop (King Kong, The Lord of the Rings) and The Orphanage (Harry Potter and the Goblet of Fire, Sin City), THE HOST is equal parts creature-feature thrill ride and poignant human drama.
Gang-du (SONG Kang-ho) works at a food-stand on the banks of the Han River. Dozing on the job, he is awakened by his daughter, Hyun-seo ( KO A-sung), who is angry with him for missing a teacher-parent meeting at school. As Gang-du walks out to the riverbank with a delivery, he notices that a large crowd of people has gathered, taking pictures and talking about something hanging from the Han River Bridge. The otherwise idyllic landscape turns suddenly to bedlam when a terrifying creature climbs up onto the riverbank and begins to crush and eat people. Gang-du and his daughter run for their lives but suddenly the thing grabs Hyun-seo and disappears back into the river. The government announces that the thing apparently is the Host of an unidentified virus. Having feared the worst, Gang-du receives a phone call from his daughter who is frightened, but very much alive. Gang-du makes plans to infiltrate the forbidden zone near the Han River to rescue his daughter from the clutches of the horrifying Host..
Hot Fuzz
Hot Fuzz is a bitingly satiric and hugely entertaining take on the buddy cop genre.
Nicholas Angel (Simon Pegg) is the finest cop London has to offer, with an arrest record 400% higher than any other officer on the force. He’s so good, he makes everyone else look bad. As a result, Angel’s superiors send him to a place where his talents won’t be quite so embarrassing -- the sleepy and seemingly crime-free village of Sandford.
Once there, he is partnered with the well-meaning but overeager police officer Danny Butterman (Nick Frost). The son of amiable Police Chief Frank Butterman (Jim Broadbent), Danny is a huge action movie fan and believes his new big-city partner might just be a real-life "bad boy," and his chance to experience the life of gunfights and car chases he so longs for. Angel is quick to dismiss this as childish fantasy and Danny’s puppy-like enthusiasm only adds to Angel’s growing frustration.
However, as a series of grisly accidents rocks the village, Angel is convinced that Sandford is not what it seems and as the intrigue deepens, Danny’s dreams of explosive, high-octane, car-chasing, gunfighting, all-out action seem more and more like a reality.
Nicholas Angel (Simon Pegg) is the finest cop London has to offer, with an arrest record 400% higher than any other officer on the force. He’s so good, he makes everyone else look bad. As a result, Angel’s superiors send him to a place where his talents won’t be quite so embarrassing -- the sleepy and seemingly crime-free village of Sandford.
Once there, he is partnered with the well-meaning but overeager police officer Danny Butterman (Nick Frost). The son of amiable Police Chief Frank Butterman (Jim Broadbent), Danny is a huge action movie fan and believes his new big-city partner might just be a real-life "bad boy," and his chance to experience the life of gunfights and car chases he so longs for. Angel is quick to dismiss this as childish fantasy and Danny’s puppy-like enthusiasm only adds to Angel’s growing frustration.
However, as a series of grisly accidents rocks the village, Angel is convinced that Sandford is not what it seems and as the intrigue deepens, Danny’s dreams of explosive, high-octane, car-chasing, gunfighting, all-out action seem more and more like a reality.
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